In the cutthroat world of professional classical music, Eric Abramovitz was headed toward a shining career. Until something — or someone — got in the way.
don't worry if you don't have an account with us, we'll create one
[{"meta":{"author":"This Is Uncomfortable","authorlink":""},"src":"https:\/\/chrt.fm\/track\/3G835\/pdst.fm\/e\/play.publicradio.org\/wp-feed\/o\/marketplace\/this-is-uncomfortable\/2019\/10\/17\/tiu_20191017_128.mp3?awEpisodeId=https:\/\/www.marketplace.org\/shows\/this-is-uncomfortable-reema-khrais\/instrument-of-sabotage&aw_0_cnt.rs","thumb":{"src":"https:\/\/images.lystnfm.com\/tr:n-app_thumbnail_medium\/podcastsnw-202109\/f7b4a6-c58a-ce85-08f011_800.jpg"},"title":"Instrument of sabotage","link":"javascript:;","id":"item-183675318"}]